What to do about insufficient information?

Today’s post is going to highlight a recent conversation amongst Notes from Nature citizen scientists regarding what to do when a specimen doesn’t seem to have most of the necessary information.  Is it best to just leave fields blank?  Is it better to just skip it?  Is it a “Top Secret” specimen?  These are great questions, and ones which will likely come up over and over again throughout the life of Notes from Nature.  Here’s the conversation.  How would you deal with this?

  • by carolely

    The label has only the scientific name and a question about that. Should I create a record and leave all the other fields blank?

    Posted 4 days ago
  • by SandersClan

    I vote yes.

    Posted 4 days ago
  • by ghewson

    Yes, then it’ll be flagged as needing more information.

    Posted 3 days ago
  • by carolely

    Thanks for the help. It seems I lost this page when I started this discussion so I never got to enter it. However, I’ll know what to do next time.

    Posted 2 days ago
  • by nosenabook

    I’m glad to know what to do as well, when I saw one like this, I passed on to the next specimen.

    Posted a day ago
  • by nosenabook in response to ghewson’s comment

    Responding to ghewson, it sounds like it is better to leave a field blank than enter “none given” say, for the reference. I started doing that because it was easier than arguing with the form – YES skip this field – and because R. K. Godfrey rarely gives a reference.

    I’ll leave that field blank from here on out, unless or until I hear different.

    Posted 21 hours ago
  • by xairbusdriver

    I seem to have found a “Top Secret” specimen, twice! 😉 If you come across Image ANN000039x, you’ll see what I mean. The ‘Location’ info seems to te a test site for White Out(r)! “…N side of _ Creek Road (S of Rte _), ca. air mi ESE of _. __________ of Sec ” I sure hope L. C. Anderson didn’t get into any trouble finding that specimen! 8) LOL!

    Posted 18 hours ago
  • by ghewson in response to xairbusdriver’s comment

    Ah yes, I had that, and tagged it #redaction. But if you search for that tag, there are 0 results! Spookyyyyyyyyyyyyyyy!

    Posted 17 hours ago
  • by SandersClan in response to xairbusdriver’s comment

    I can’t decide whether this is a Roswell, thing, the MIB, or what!

    Posted 16 hours ago

Imaging the University of Virginia’s Mountain Lake Biological Station Herbarium

Notes from Nature has been a significant undertaking with many people involved, but the transcription work being completed through the project is only a slice of the entire process of increasing access to and use of research collections.  This guest post comes from Christina Deane, Head of Digitization Services in the University of Virginia Library.  Christina was intricately involved with the imaging of the University of Virginia’s Mountain Lake Biological Station Herbarium, which is one of the current featured collections.  Through this post, we hope you’ll gain an understanding of how all of the images in this collection were produced.  If you are interested in seeing more about the University of Virginia Library’s Digitization Services, see this video:  http://www.youtube.com/watch?v=7CRHyj-6syM (look to 3:24 for a photo of a herbarium sheet!).  This story is one of many ways, and we will likely touch on other imaging processes in the future.  – Andrew Sallans


We began a discussion of how this project would be carried out in late summer of 2005.  The conversations included biologists, librarians, and technologists, to make sure that we were covering our bases on _MG_0323technique, metadata, and consistency so we would only have to do this once!  Once we had ironed out some of the metadata issues, we were able to modify our scanning workflow to accommodate the different requirements for the herbarium specimen.   We agreed that we would create archival tiffs and deliverable jpegs at 300 dpi following UVa’s digitization guidelines, and our digital library workflows were already in place to programmatically extract technical metadata from the images.

We hired a student in the spring of 2006 to begin scanning images using our overhead, Hasselblad cameras with PhaseOne P45 Plus digital scan back cameras (capturing at 39 megapixels!).  These cameras are typically used for our rare print materials, including all varieties of rare books, Jefferson letters, and even copies for the Declaration of Independence.  We established a set way to position the ruler and color bar so we could achieve a consistent look for the images, and this was likely influenced by other herbarium digitization projects going on at the time.  It was definitely a different way to work than what we were doing for books and manuscripts.  When we began this work, we didn’t really know how many specimen there were to scan, as the estimates we were provided with were in the thousands.

Our workflow was to barcode the images before scanning them, create a folder name based on the folder the items_MG_0314 were housed in, and name each image based on the barcode.  Our cameras and digital backs were very slow back in 2006, and imaging took a lot longer then than it does now.  Once through the basic quality assurance steps (QA) we were to send jpegs to the librarians in charge of the project so they could facilitate the metadata creation with the team they had assembled to work on this part of the project.  We utilized multiple rounds of QA so at least 3 or 4 people examined each image.

Scanning continued from the spring of 2006 through the spring of 2007, at which point the student working on the project graduated.  Scanning resumed in the spring of 2008.  Over the course of the next year, DS digitized thousands more images.  This _MG_0317process went faster because DS had acquired new camera systems with autofocus lenses and faster digital backs for almost instantaneous capture of the images.  During 2008 we continued scanning specimen as they were delivered to us.  We made a big push in January of 2009 to finish the rest of the collection (over 4000 pieces), and we completed the project that month. Full-time staff involved in the project included Andrew Curley, Kristy Haney, Jeanne Pardee, and Christina Deane.  John Ruscher was the primary student worker in the early part of the project, and many student employees were involved in the second phase of scanning from 2008 to early 2009.  Over the course of the project, we scanned 8,935 images in all.

-Christina Deane, Head of Digitization Services, University of Virginia Library

Featured Collection: University of Virginia’s Mountain Lake Biological Station Herbarium

Today, I’m pleased to offer another guest post from a colleague here at the University of Virginia, Michelle Prysby.  Michelle supports science education and outreach at UVA, but also has a special place in her heart for herbaria, master naturalist groups, and citizen science, having spent much of her academic career in those areas.  Upon my invitation, she eagerly jumped at the opportunity to help out with sharing the story of Mountain Lake Biological Station as part of UVA’s science education and outreach effort.  – Andrew Sallans


On a remote forested ridge, at 1,160 meters in elevation in the southern Appalachian mountains sits Mountain Lake Biological Station (MLBS), a busy hub for ecological and evolutionary biology research.  As part of the University of Virginia Department of Biology, MLBS serves as a facility for teaching field courses, a research site for scientists from around the country, and, for parts of the year, a home for students and faculty who come there to learn and to study.  Field courses include topics such as Wildlife Disease Ecology and Techniques in Conservation Biology, while research at the station has included studies of high-elevation forest ecology, genetics of various native and non-native plants, and salamander dispersal, to name just a few.

Courtesy of Special Collections, University of Virginia Library, Charlottesville, Va. Item RG-30/1/10.011

The station has some high tech research facilities, including a DNA extraction lab and chambers for growing organisms in controlled environments.  The first stop, however, for a scientist interested in studying plants in the area would likely be the much less high tech herbarium.  The MLBS herbarium houses more than 9000 plant specimen from the Mountain Lake area, the surrounding Giles County, and a smattering of other locations in Virginia and the Southeast.  It’s a great resource that gets used by many scientists studying plants at Mountain Lake.  Visiting scientists starting a new research study, for example, might comb through the herbarium to locate possible study populations of a particular plant.  A new graduate student might use the herbarium to help formulate research questions and choose a study system.  It’s also used for education, particularly during MLBS courses on plant conservation and diversity.

The herbarium has been assembled over time through collections by U.Va. scientists and through the acquisition of other scientists’ collections over time.   It has become a fairly extensive collection for the region, with significant contributions made by many different researchers.  It’s a region that is quite biologically diverse, too, with varying topography and microclimates.  Walking out from the station atop Salt Pond Mountain, one can find several forest types, rock outcrops, bogs, streams, meadows, and one of only two natural freshwater lakes in Virginia.

MLBSHerbarium

Photo of UVA Mountain Lake Biological Station Herbarium cabinet, taken by Andrew Sallans

The herbarium grows every year, particularly through the efforts of students taking the plant diversity course in the summers.  It contains some very old specimens—more than 100 years old.  Some of these species may no longer even exist in the locations where they were originally collected.  That’s one reason herbaria like the one at Mountain Lake are so important as both a reference collection and historical record.

The MLBS Herbarium is cared for by Eric Nagy, Associate Director of MLBS and Assistant Research Professor of Biology at U.Va., and by Zack Murrell, Associate Professor of Biology at Appalachian State University and instructor for the MLBS Plant Conservation and Diversity summer undergraduate field course.

“The herbarium is one of Mountain Lake Biological Station’s greatest assets,” says Nagy.  “Other field stations drool when they see what we have for our users.”  The digitization of the collections and the database of specimen information transcribed through Notes from Nature will make it even more valuable.

Mountain Lake Biological Station invites the public to its Open House event, July 13.  If you happen to be nearby, stop in to learn more about the research at the station and visit the herbarium in person.

-Michelle Prysby, Director of Science Education and Public Outreach, University of Virginia

Profile of Notes from Nature Team Member: Andrew Sallans

Name:  Andrew Sallans

Title:  Head of Strategic Data InitiativesAndrew

Where do you work primarily?  University of Virginia Library

What you do in your day job?  Unlike most of my Notes from Nature colleagues, I am not in a research or teaching position, and instead focus my energy on building services to support data-intensive research, working with researchers on data management problems, and facilitating the management, access, use, and preservation of research data with UVA researchers.  

What’s your role with NfN and what do you hope to gain from it?  If relevant, how will your research benefit?  I’ve been involved with Notes from Nature from its inception, having been the lead PI on a proposal to Zooniverse on behalf of SERNEC.  I’ve been working with SERNEC for around 6 years now, with an eye towards digitizing the local UVA biological collections and providing a proper, broader long-term home for the digital data output.  The opportunity to partner with the Essig Museum and Natural History Museum teams has been a real pleasure and opportunity to see other approaches for increasing access to biological collections, digitization methods, metadata standards, cataloging approaches, and general collection challenges.  I believe that these experiences will all be beneficial as we continue to develop and evolve research collection management strategies here at UVA.

What’s the most exciting aspect of citizen science work from your point-of-view?  This project has been exciting in many, many ways.  Although I’m not in the role of a scientist, I’ve had the privilege of interacting directly with many collections over the past decade in order to help manage and preserve those collections.  I’ve always loved being able to closely examine, understand, interpret, and contextualize items in collections, but this is something most people are never exposed to.  Even with many new programs to increase STEM research and education, it’s sometimes hard to develop enthusiasm when direct contact with science is sometimes too dangerous or costly for the student or scientific object; I’ve seen the same be true in libraries (ie. lack of interest in history because it’s all behind glass).  Zooniverse projects like Notes from Nature offer an excellent opportunity to make a meaningful contribution to scientific progress by completing critical tasks at a massive scale, while simultaneously having an opportunity to interact quite closely (ie. high-quality images are almost as good as the real thing!) with many specimen and the expert scientists and managers who work with them each day.  I’m hopeful that we’ll inspire new researchers and research projects and create some great conversations between those who are passionate about science.

Profile of Notes from Nature Team Member: Rosemary Gillespie

Name:  Rosemary Gillespie

Title:  Director of the Essig Museum of Entomology and Professor in the Dept. of Environmental Science, Policy, and Management.

Where do you work primarily?  My research looks at how species form and diversify, work that takes me to the isolated environments of remote islands of the Pacific, Indian, and Atlantic oceans. These islands serve as microcosms for the whole evolutionary process and also allow us to recognize the influence of humans and other vectors of change. I work mostly on spiders, in particular those that have radiated into myriad forms on the remote islands of the Pacific. To this end, I spend many days in the high elevation cloud forests of the islands, working mostly at night when the spiders are active.

What you do in your day job?  On a regular day, there are lots of things going on. I teach classes to some wonderfully enthusiastic groups of students and have meetings with diverse faculty to talk about directions of various initiatives, a particular current focus being on global change biology. With my students and postdocs, I discuss their projects, which range from the genomics of scorpion venoms to the diversity of sponges in marine lakes in Indonesia, and characterization of microbial communities to the description of new species of insects and spiders.

What’s your role with NfN and what do you hope to gain from it?  If relevant, how will your research benefit?  I became involved with NfN before I knew it existed! I was talking to a colleague, John Wieczorek, here at Berkeley’s Museum of Vertebrate Zoology, about the insurmountable problem of digitizing the massive numbers of insect specimen labels. John’s answer was to get them up on the web and ask for the help of citizen scientists. So we developed a protocol to get images of the labels up on the web – but how do we get them out to citizen scientists? This was when we discovered Zooniverse – over 2 years ago now. The first connections were made largely through the work of Joanie Ball, who is finishing her PhD here at Berkeley. And we’ve come a long way since then! Now that it’s up and running, what we can gain from it, first and foremost, is exposing the wealth of historical information to people who are ready to explore – and seeing how they engage with the material. The second is the use of the information provided – how it can be incorporated into the museum database to inform us about changes in biodiversity over the history of the collection.

What’s the most exciting aspect of citizen science work from your point-of-view?  The most thrilling aspect of this effort is connecting with people that are interested in exploring the opportunities and genuinely want to help the scientific enterprise. It’s so exciting to see the level of interest in making this very new and exciting endeavor actually become reality!

A sampling of Notes from Nature

If you haven’t yet joined in on the Notes from Nature transcription effort, there’s still plenty of time.  We’ll be adding new collections in coming days, and there will be many more exciting specimen to see.

Here’s a sampling of some of the fascinating specimen that have appeared already.  Which are your favorite?

Profile of Notes from Nature Team Member: Rob Guralnick

Name:  Rob Guralnick

Title:  Curator of Zoology at the CU Museum of Natural History (cumuseum.colorado.edu) and Associate Professor in the Dept. of Ecology and Evolutionary Biology (ebio.colorado.edu)

 

Where do you work primarily?  My research and interests in understanding large scale patterns of biodiversity take me across the globe, typically with laptop in hand.  Field ecological research has remained focused in the Western United States, in terrestrial and freshwater environs. I am a “taxon generalist” and work in the lab has ranged from viruses and parasites, to freshwater bivalves, to alpine mammal species such as pikas.

 

What you do in your day job?  My day job is very dynamic, and usually includes some mix of meetings, both in person and virtual with students, collaborators, colleagues, etc.  When not in meetings, I teach classes, oversee student work in my lab, and if I am super lucky, get to work on touching data and analyses in the realm of biodiversity research and informatics.   What I most enjoy is getting a chance to pull together all the pieces involved in doing research and writing that up.

 

What’s your role with NfN and what do you hope to gain from it?  If relevant, how will your research benefit?  I (and the CU Museum) have been involved in Notes from Nature from the very beginning.  I owe a lot of that interest to a former PhD student, Andrew Hill, who kept trying to get it through my thick skull that citizen science was going to be transformational in the study of ecology and biodiversity.  Regarding what I hope to gain –  two very different interests and research threads tie together with this project.  One is a Museum-centric thread related to how Museums work with volunteers and build communities – I love that my job is diverse and includes museology as well the biodiversity research component.  The issues of motivation and interest are important and I see the life sciences integrating more firmly with social and library and information science into the future.  The other thread is that I work directly on how to assemble a globally coherent view of biodiversity and where our knowledge is best and worst.   But getting this coherent picture requires understanding all the problems and limitations with messy and incomplete data.  Notes from Nature promises to be a key way to get high quality mobilized for use.  So, Notes from Nature is both a research project all on its own, and feeds essential data we need to do the biodiversity science in the 21st century.

 

What’s the most exciting aspect of citizen science work from your point-of-view?     The most exciting thing for me is bringing one aspect of the job of working in a Museum out from collections spaces and into this neat, new Internet-scale world in which many of us live.   I love the idea of people seeing all these cool specimens, and adding to our collective knowledge of the living world.   I also am excited to just be involved, to connect, using new tools and approaches.

Featured Collection: FSU’s Robert K. Godfrey Herbarium

As you may have noticed, many of the herbarium images currently featured in Notes from Nature come from FSU’s Robert K. Godfrey Herbarium.  To peak your interest, we are happy to share this guest post from the herbarium’s director, Austin Mast.  Enjoy!  – Andrew Sallans


Florida State University’s Robert K. Godfrey Herbarium is a biodiversity research collection of about 210,000 plant and microalgae specimens. These primarily document the distribution and natural variation of the roughly 2,800 species of flowering plants, ferns, conifers, and cycads found in the East Gulf Coastal Plain (EGCP) ecoregion—a North American biotic hotspot—and the microalgae of Florida’s Gulf and Atlantic coasts. A secondary strength of the collection is tropical Central America. The herbarium grows at a rate of about 2,000 specimens each year.

White-top Pitcher Plant

White-top Pitcher Plant

Stretching across the Florida panhandle to eastern Louisiana along the coast, the EGCP is home to 125 endemic plant taxa (species and varieties found nowhere else), including the White-top Pitcher Plant (left).  A large number of the regional endemics are restricted to pine-dominated wetlands and uplands, two communities that have dwindled to less than 5% of their original extent and are now considered among the most endangered ecosystems in North America. Loss of longleaf pine-dominated communities and fire suppression has left many endemics critically imperiled, and the EGCP is also considered a “species endangerment hotspot,” with many of its counties within the top 95th percentile of US counties when ranked by the number of threatened and endangered species in each. The Robert K. Godfrey Herbarium is the most extensive collection of plants from the eastern part of the EGCP.

The herbarium was established in 1940 by Herman Kurz (1886–1966), a professor of botany at what was then the Florida State College for Women. It is named for Kurz’s successor, Robert K. Godfrey (1911–2000), who collected about one-third of the specimens currently in the collection, named many plant species himself, and had 12 plant species or varieties named for him (such as Hymenocallis godfreyi, an endangered spiderlily restricted to one county in Florida; below right). The FSU botanists Loran Anderson, Gil Nelson, and Austin Mast (the herbarium director) currently use the specimens onsite for research and education, as do Florida’s natural resource managers. Through an active loan program, biologists from around the world borrow specimens from the Robert K. Godfrey Herbarium for studies of plant and microalgae systematics, ecology, evolution, biogeography, conservation biology, anatomy, and morphology.FSU image

About a third of the Robert K. Godfrey Herbarium’s specimens have been digitally imaged, databased, and georeferenced since 2003, thanks to support from the National Science Foundation, the Florida Department of Environmental Protection, and the Florida Fish and Wildlife Conservation Commission and the (typically) short-term efforts of about 75 students and staff members. This third of the collection is searchable at http://herbarium.bio.fsu.edu/search-specimens.php, allowing anyone with access to the web to sort result tables, browse through images, and generate distribution maps.

The Robert K. Godfrey Herbarium would like to complete the digitization of the remaining two-thirds of the collection in the next 10 years. This parallels the broader goal of the US biodiversity research community to digitize the roughly 90% of the 1 billion biodiversity research specimens yet to be digitized in US collections in the next decade. This ambitious community goal can be reached with greater coordination and standardization within the digitization community, more efficient workflows, technological innovation, and broader participation—ESPECIALLY public participation. For more information on how the public can contribute, see the report on iDigBio’s Public Participation in Digitization of Biodiversity Specimens Workshop organized by the Robert K. Godfrey Herbarium’s director, Austin Mast.

The Robert K. Godfrey Herbarium (and all of the world’s biodiversity research collections) need your help to make our specimens broadly discoverable and potentially useful to everyone. Thank you, Notes from Nature community members!

-Austin R. Mast, Director of FSU Robert K. Godfrey Herbarium

Profile of Notes from Nature Team Member: Peter Oboyski

Title:   Collections Manager / Curatorial Supervisor

Oboyski_beebeardWhere do you work primarily?   Essig Museum of Entomology, University of California, Berkeley, and field work in California, Hawaii, French Polynesia

What you do in your day job?  I manage the approximately six million arthropod specimens held by the Essig Museum. In addition to curating the collection (sorting, pinning, labeling, identifying, preserving), I interact with specialists around the world providing information and specimen loans (much like a library loans books). My research focuses on the biogeography (species distribution patterns and processes) and phylogeny (evolutionary relationships) of small moths on remote Pacific Islands like Hawaii and Tahiti.

What’s your role with NfN and what do you hope to gain from it?  If relevant, how will your research benefit?   The Essig Museum is part of the CalBug initiative to digitize over one million specimens from eight California institutions. I help to coordinate a team of scientists and undergraduate assistants to image, database, and georeference these specimens. As collections manager, digitizing the Essig Museum collection will greatly aid my ability to provide specimens and data to other scientists. And as a researcher, I will use these digitized data to analyze distribution patterns across time and space in an ever-changing landscape.

What’s the most exciting aspect of citizen science work from your point-of-view?  Not only am I very excited to have all these extra eyes and fingers to help us process hundreds of thousands of records (a job that would otherwise take decades to complete), but I welcome the opportunity to share our knowledge and collections with the citizen science community.

Calbug’s Entomology Collections and Arthropod* Diversity

Tens of millions of insect and spider specimens lie pinned into drawers, folded in envelopes, or are floating in jars of alcohol within the major entomology collections of California.** Each specimen’s tiny labels, usually about the size of a honeybee, hold information on who collected it, where and when it was found, what species it is and who identified it. Until now, this information was locked in the drawers and cabinets of eight museums, scattered throughout the state. Calbug is a collaborative effort to begin unlocking this data by digitizing information for over one million specimens and publishing it online.

Inside the Essig Museum of Entomology at UC Berkeley. Photo by Marek Jakubowski, 2010.

The rich history of arthropod collecting in the state kicked into high gear with the California Insect Survey, which launched in 1939 to document the diversity and composition of insects and arachnids. A major goal was (and is) to provide practical information about insects, primarily for agriculture. Crops, for example, rely on pollinating insects (like bees and butterflies) and are plagued by pests (like aphids), while other insects (such as ladybugs and parasitic wasps) can help control the pests. Bugs provide a variety of benefits and detriments to other organisms—some assist in decomposing dead matter or  provide food for birds and other vertebrates, while others may be vectors of disease or pests. Entomologists have been busy collecting as many of them as possible. While a majority of our collections are from California and the western United States, we have specimens from all over the world.

Besides being key components of agriculture and other ecosystems, insects are the most diverse animal group on the planet, with over one million described species. This accounts for 80% of all known animal diversity. Studies estimate that there are likely five to ten million extant arthropod species in total, including those that have not been discovered yet. Such large diversity, and the small size of individuals, means that a single museum may house millions of specimens. For example, the Essig Museum of Entomology at UC Berkeley has an estimated six million specimens and the California Academy of Science has about ten million. In fact, we have so many specimens, that we can only estimate how many there actually are!

Click here for some great arthropod photos.

Western Branded Skipper (Hesperia colorado), on a flower. Photo by Ray Bruun, 2011.

Because the databasing task is so large, we are first focusing on specific localities that have been sampled more consistently through time, and on groups that address important environmental issues (such as the pollinators and pests mentioned above) and charismatic species (like colorful dragonflies, butterflies and beetles) that have been well-collected over time. The end result will be a specimen database of geographically referenced specimens, and analyses of how changes in species distribution relate to land use and climate.

In addition to learning about the distribution of individual species, we can use insects and spiders as indicators of environmental change. These diverse creatures have relatively short life spans, limited distributions, and a wide range of tolerances to habitat alterations. They can therefore provide fine-scale information on habitat change that we use to better understand how ecological communities are changing over time, and make predictions about the future.

In future posts we will discuss some of these groups in more detail, so stay tuned!

Ohlone Tiger Beetles (Cicindela ohlone), mating. Photo by Joyce Gross, 2010.

For the launch of Notes from Nature, the CalBug team chose to share some of our charismatic species like Tiger Beetles, Bombardier Beetles, and Skipper Butterflies. These insects are striking in appearance, but also have fascinating behaviors—check out the links below to get a glimpse. We hope you enjoy these insects as much as we do, and thank you for your help!

*An arthropod is an invertebrate with an exoskeleton, a segmented body, and jointed appendages. This includes insects, spiders, crustaceans, and more.

**Calbug institutions include: The California Academy of Sciences, Essig Museum at UC Berkeley, Bohart Museum at UC Davis, Entomology Research Museum at UC Riverside, California State Collection of Arthropods, San Diego Natural History Museum, LA County Museum, and Santa Barbara Museum of Natural History.

-Joanie Ball

Additional Links:

Bombardier Beetles:

http://www.wimp.com/bombardierbeetle/

http://ncse.com/cej/2/1/bombardier-beetle-myth-exploded

Ground Beetles:

http://carabidae.org/carabidae/brachinini.html

http://carabidae.org/carabidae/cicindelinae.html

Tiger Beetles:

http://www.xerces.org/siuslaw-hairy-neck-tiger-beetle/

http://en.wikipedia.org/wiki/Tiger_beetle